HERMESensemble / E-XXI: STOP & BeRoer
DE SINGEL · Theaterstudio · Antwerpen-Zuid
This week Live in Antwerp
ADIA VANHEERENTALS ALI CHAHROUR ANAÏS VIJGEN AROOJ AFTAB CATHARINA EVENS CELLO OCTET E-XXI ERYKAH BADU HATIS NOIT HÉLOÏSE HERMESENSEMBLE I H8 CAMERA IGNATZ ILIAS KARLHEINZ STOCKHAUSEN LORAINE JAMES LUISA MARIA ‘MASHA’ ALYOKHINA MAYA VERLAAK MOOR MOTHER NYOKABI KARIUKI PUSSY RIOT QASIM NAQVI R.OMY RC WILLIAMS RUDY TROUVÉ SANAM SENSELI SHISHANI YAMEN MARTINI YANNICK PEETERS
DE SINGEL · Theaterstudio · Antwerpen-Zuid
Het Bos Club · Antwerpen
DE SINGEL · Rode Zaal · Antwerpen-Zuid
Rataplan De Living · Borgerhout
Monday—Sunday
Live music, performance and artist-led events across Antwerp.
DE SINGEL · Theaterstudio · Antwerpen-Zuid
Stockhausen’s STOP is rebuilt as an Antwerp version in which one of six instrumental groups becomes live electronics. Maya Verlaak’s companion work uses rotating STOP signs to control sound and pitch.
Het Bos · Bosbar · Antwerpen
Letterveld, PEN Vlaanderen, Cossee and Hard//hoofd bring short literary contributions into dialogue with live music by Yamen Martini around inherited places, languages and memories.
Het Bos Club · Antwerpen
Héloïse moves between voice, drums, tap and loop-built minimalism. Rudy Trouvé then directs I H8 Camera’s six-piece lineup through rock, jazz, krautrock, no wave and post-punk without fixed songs.
Het Bos Club · Antwerpen
A communal dinner with Senseli opens the night before Ilias, Luisa and r.omy take over a newly built scenography until 05:30.
Rataplan · Borgerhout
Evens turns the acoustic piano into speaker and sculpture, using live processing, resonating electronics, small motors, solenoids and 3D-printed parts to open the instrument from within.
DE SINGEL · Muziekstudio · Antwerpen-Zuid
Six musicians from Beirut transform traditional Egyptian songs and Arabic poetry into an explosive ritual of improvised rock, free jazz and noise.
DE SINGEL · Theaterstudio · Antwerpen-Zuid
Three women whose lives are directly tied to Lebanon’s Kafala system take the stage in a work of dance, live music and testimony about exploitation, resilience and justice.
DE SINGEL · Rode Zaal · Antwerpen-Zuid
Eight live cellos converse with recorded voices in works by Moor Mother, Loraine James, Nyokabi Kariuki, Shishani, Arooj Aftab and Qasim Naqvi with Hatis Noit.
Rataplan De Living · Borgerhout
Anaïs Vijgen premieres new songs with Adia Vanheerentals on saxophone and Yannick Peeters on double bass, cutting through the project’s imagined strings by way of improvisation.
DE SINGEL · Rode Zaal · Antwerpen-Zuid
Maria Alyokhina’s account of protest, trial and imprisonment becomes an evolving live work of music, theatre and multimedia, newly extended through Political Girl.
Next eight weeks
Upcoming dates worth keeping in view.
Farida Amadou and Louis Vanhaverbeke turn soil into instrument, landscape and co-performer in a physical ritual of sound and transformation.
Koo’s private electronic album is reopened by a quartet of piano, synths, loops, cello, EWI and percussion.
Two linked sets move from hypnotic rural rhythms, drones and psychedelia into poetic vocals, trombones and contemporary Egyptian sound.
Karen Claessens directs a live soundpainting ensemble with Hanne De Backer, Carla Biber, Jaouad and Daniel Menezes before opening the floor to participating musicians.
A large-scale, wordless image-world by FC Bergman, presented across four nights with date-by-date availability ranging from sold out to tickets remaining.
De Kloe splices unstable club rhythms, obscure samples, fractured lyrics and serrated guitar into continuously mutating structures for the release of Vanity Fair.
OFFoff reconstructs 1967 expanded-cinema works with simultaneous 16mm projectors, live HERMESensemble musicians, performance and four-channel sound.
The Iranian recorder player leaves her usual baroque practice to reinterpret Persian traditions associated with Mohammad Reza Shajarian in a close living-room concert.
Görges Ocloo interweaves opera, African percussion, beats, theatre and dance in the story of Asante resistance leader Nana Yaa Asantewaa.
Shorter and spalding dismantle the conventional myth through fluid orchestral writing, jazz, collective voices and a protagonist distributed across multiple bodies.
Van de Star turns bass-clarinet recordings into physical, transducer-driven electronics before Skordatura answers with angular grooves and abrupt ensemble interventions.
OLA TUNJI channels Coltrane, Sanders and Ayler; Stan Nieuwenhuis transforms cornet studies through granular delay into a multiplied one-person brass ensemble.
A playful wordless horror story combining migration, Mexican myth, paranormal experience, Latin American pop culture, masks, choreography and original music.
Four performers approach slow dancing as the queer, potentially subversive sister of rave culture, accompanied by Michael Langeder’s live sound.
A short train away
When the reasons to travel are unusually strong.
AB Salon · Experimental piano / voice / improvisation
€10 · student €8